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<dc:title xml:lang="fr">Analyse socio-économique de l'impact des festivals de musique sur le développement des territoires : Le cas du festival Les Nuits Secrètes (Hauts-de-France)</dc:title>
<dcterms:alternative xml:lang="en">Socio-economic analysis of the impact of music festivals on territorial development : The case of Les Nuits Secrètes festival (Hauts-de-France)</dcterms:alternative>
<dc:subject xml:lang="fr">Festival</dc:subject>
<dc:subject xml:lang="fr">Retombées</dc:subject>
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<dc:subject xml:lang="fr">Processus de valorisation</dc:subject>
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<dc:subject xml:lang="fr">Economie des conventions</dc:subject>
<dc:subject xml:lang="en">Festival</dc:subject>
<dc:subject xml:lang="en">Impact</dc:subject>
<dc:subject xml:lang="en">Non-Profit</dc:subject>
<dc:subject xml:lang="en">Enhancement process</dc:subject>
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<dc:subject xml:lang="en">Territory</dc:subject>
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<dcterms:abstract xml:lang="fr">L'évolution des politiques publiques culturelles a progressivement amené les festivals à tirer leur valeur légitime de ce nous proposons d'analyser comme une norme touristico-marchande. Sans nier l'existence de retombées économiques de ces événements, cette thèse entend montrer les risques de la prééminence de cette norme à travers les discours communs comme à travers la prise de décision et la transformation des festivals en objets purement marchands. Ainsi, des axes d'actions qui auraient pu être prioritaires dans d'autres circonstances sont relégués au second plan, voire invisibilisés. Il est donc nécessaire de modifier l'angle de vue et de retravailler le processus de valorisation de ces événements. En s'équipant du modèle des économies de la grandeur et en prenant pour terrain de recherche le festival Les Nuits Secrètes (Hauts-de-France), ce travail met en exergue d'autres voies de valorisation des festivals, particulièrement à travers les discours de ses parties prenantes. Ceci montre que le rapport de ces événements aux territoires, tout comme leurs apports, méritent d'être valorisés d'une autre manière que par un surplus touristique et marchand, ceci d'autant plus pour les festivals associatifs qui y sont généralement imbriqués de multiples façons.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The evolution of public cultural policies has gradually led festivals to derive their legitimate value from what we propose to analyse as a tourist-commercial norm. Without denying the economic benefits of these events, this thesis aims to highlight the risks of the pre-eminence of this model in common discourse, decision-making and the transformation of festivals into purely commercial entities. As a result, areas of action that might have been priorities in other circumstances have been relegated to the background or even rendered invisible. It is therefore necessary to change the perspective and rework the process of promoting these events. Using the model of the economies of worth and taking Les Nuits Secrètes festival (Hauts-de-France) as a field of research, this work highlights other ways of promoting festivals, particularly through the discourse of its stakeholders. This shows that the relationship between these events and the local areas, as well as their contributions, deserve to be valued in ways other than through tourism and commercial gain, especially in the case of non-profit festivals, which are generally intertwined with the local areas in several ways.</dcterms:abstract>
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