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<dc:title xml:lang="fr">Le beau pays : esthétique des paysages réels</dc:title>
<dcterms:alternative xml:lang="en">The beautiful land : aesthetics of real landscapes</dcterms:alternative>
<dc:subject xml:lang="fr">Esthétique</dc:subject>
<dc:subject xml:lang="fr">Paysage</dc:subject>
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<dc:subject xml:lang="fr">Déplacement</dc:subject>
<dc:subject xml:lang="en">Aesthétics</dc:subject>
<dc:subject xml:lang="en">Landscape</dc:subject>
<dc:subject xml:lang="en">Real</dc:subject>
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<dcterms:abstract xml:lang="fr">« Paysage » : un me?me mot recouvre aujourd’hui deux concepts distincts. Un paysage est une image (picturale, graphique, photographique, cine?matographique, etc.) repre?sentant une portion de territoire ; mais c’est aussi une portion de territoire re?el dans le monde qui nous entoure, celle-la? me?me qui peut faire l’objet d’une repre?sentation image?e. Pour autant, le paysage n’est pas un simple environnement, mais un environnement d’un certain type, susceptible de donner lieu a? une expe?rience esthe?tique distincte de celle d’un jardin, d’une fore?t ou d’un ba?timent par exemple. Pour s’en tenir a? un contexte culturel occidental, on constate que, bien que les paysages occupent une place importante dans l’expe?rience esthe?tique en ge?ne?ral, ils ne sont gue?re mis en valeur dans la philosophie esthe?tique, qui tend souvent a? les ignorer pour se consacrer exclusivement a? l’art et aux œuvres d’art, ou bien a? les me?connai?tre en les re?duisant a? autre chose – repre?sentations artistiques ou simples environnements naturels. Dans cette the?se, on propose une re?flexion de philosophie esthe?tique sur les paysages re?els, en s’appuyant sur l’analyse approfondie de paysages particuliers, traite?s tanto?t comme exemples illustratifs, tanto?t comme ve?ritables cas d’e?tude. Apre?s avoir de?fini un concept autonome de paysage re?el, distinct a? la fois des paysages repre?sente?s et des simples environnements physiques, on s’interroge sur les conditions de l’identification de paysages particuliers. On s’appuie pour cela sur une se?rie de paysages situe?s dans le pays qu’il est d’usage, outremonts, d'appeler « il Bel Paese », « le Beau Pays ».</dcterms:abstract>
<dcterms:abstract xml:lang="en">“Landscape”: one same word, but two distinct concepts. A landscape is a (graphic, pictorial, photographic, cinematographic, etc.) picture, that represents an expanse of land; but it also is an expanse of real land in the world around us – precisely that one that can be represented in a picture. Nonetheless, landscape is not just a mere environment, but a certain type of environment, likely to produce an aesthetic experience distinct from that of a garden, a forest or a building for example. From the point of view of occidental cultures, one can observe that, although real landscapes play an important part in the general aesthetic experience, they are not much valued by aesthetic philosophy, that tends either to ignore them in the exclusive favor of art and works of art, or to misunderstand them by reducing them to something else – artistic representations or mere natural environments. This thesis intends to offer an aesthetic reflection on real landscapes, based on a deepened analysis of a series of particular landscapes taken either as mere illustrations or as specific case studies. Once an autonomous concept of real landscape has been defined, we question the conditions of identification of particular landscapes, using a series of landscapes situated in that country commonly referred, beyond the Alps, as “il Bel Paese”, “the Beautiful Land”.</dcterms:abstract>
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