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<dc:title xml:lang="fr">L'apparition de la danse : construction et émergence du sens dans le mouvement. : à partir de la philosophie de Susanne Langer</dc:title>
<dcterms:alternative xml:lang="en">The apparition of dance : construction and emergence of meaning in the movement : after Susanne Langer's philosophy</dcterms:alternative>
<dc:subject xml:lang="fr">Danse</dc:subject>
<dc:subject xml:lang="fr">Esthétique</dc:subject>
<dc:subject xml:lang="fr">Formes symboliques</dc:subject>
<dc:subject xml:lang="fr">Susanne Langer</dc:subject>
<dc:subject xml:lang="en">Dance</dc:subject>
<dc:subject xml:lang="en">Aesthetics</dc:subject>
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<dc:subject xml:lang="en">Susanne Langer</dc:subject>
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<tef:elementdEntree autoriteExterne="034848118" autoriteSource="Sudoc">Langer, Susanne Katherina Knauth (1895-1985 ; philosophe)</tef:elementdEntree>
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<dcterms:abstract xml:lang="fr">Notre travail de recherche propose d'envisager et d'étudier la danse en tant qu'activité constructrice de sens. Cette notion complexe a été diversement thématisée et explorée au cours de l'histoire de la danse, mais n'a que rarement été questionnée frontalement. Nous nous appuyons, pour mener à bien cette entreprise, sur les travaux de Susanne Langer, philosophe américaine du XXe siècle dont les ouvrages explorent la question du symbolique. Elle a développé au sujet de la danse une pensée originale, et élaboré des concepts proposant de circonscrire au mieux les processus symboliques à l'oeuvre dans les pratiques non discursives, et en particulier dans l'art. Nous choisissons, plutôt que d’aborder la danse d’un point de vue ontologique, comme une catégorie en soi sous laquelle seraient subsumés certains mouvements, de la considérer comme un événement, dont la survenue peut être intermittente. Approcher la danse sous cet angle offre la possibilité de rendre compte de son éventuelle apparition dans toute forme de mouvement, de la danse artistique à la danse festive, du mime au cinéma, du rite à la création numérique. Ce choix de ne pas réduire a priori le champ d'étude permet a posteriori de redessiner une frontière nette entre la danse et les autres formes de mouvement ou de pratiques corporelles. En effet, notre travail tend à réaffirmer la spécificité fondamentale de la danse, quels que soient les environnements, moments et corps dans lesquels elle apparaît – une spécificité tenant à ses processus symboliques uniques, et aux sens qu'elle peut ainsi construire ou faire émerger.</dcterms:abstract>
<dcterms:abstract xml:lang="en">The aim of our work is to consider and study dance as a sense-Building activity. Sense is a complex notion, which has been variously conceptualized in the course of dance history but merely investigated. In order to do so, we build upon the works of Suzanne Langer, a 20th century American philosopher whose writings explore the concept of “symbol”. She elaborated an original thought about dance and came up with concepts that allowed her to circumscribe the symbolic processes happening during the non-Discursive practices, in art especially. Rather than looking at dance from an ontological point of view or as a category that gathers certain types of moves, we choose to study it as something that may appear on an intermittent basis. Watching dance this way makes it possible for us to give an account of the possibility of its emergence in any kind of movement, whether it happens in the course of artistic dance, festal dance, mime, cinema, rite or within a digital creation. This decision not to reduce a priori the field of study allows us to draw a posteriori a clear distinction between dance and any other kind of moves or bodily practices. Indeed, our work tends to claim the fundamental specificity of dance, whatever environments, moments or bodies in or during which it occurs – a specificity that may be explained by its unique symbolic processes and the meanings or senses it may build or give birth to.</dcterms:abstract>
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